Two productions I’ve seen recently that stand out in my mind
are A Free Man of Color and Elephant Graveyard. I found both production to be
moving and powerful and I felt a strong emotional response from both. However,
I found it hard to relate the former to any form of truthfulness. While I was
strongly invested in the character’s and found myself enjoying the show, A Free
Man of Color was very clearly entirely fictional. From the production style to
the sense of humor presented with the show, I could not easy take the events
occurring down from the stage and out into the real world. In my opinion,
having a strained relationship with truthfulness does not necessarily hinder a
production. As someone said in class recently, we rarely go to the theatre
expecting the truth. Most of us go expecting a good story told in an
entertaining way. Often times this experience is easier to pull off if
proximity to truthfulness is a bit distant. That being said, if an audience
member can find truth in what they are watching, the experience is made a
thousand times more enjoyable. In Elephant’s graveyard I found myself very
invested in not only the character’s but in the various parts of the story they
were telling. Because I could feel the truth behind the words being spoken, I
found that I was much more entertained by the narrative. It wasn’t until later
that I discovered the events were based around a true event, and suddenly my
response became clear. Before even knowing the play was based on true events, I
could sense that the story was being told as if it were a collection of
interviews about a real occurrence. Because I could feel the truth behind what
was occurring on stage, my experience with the show was made much more
memorable. I find that often times
productions revolving around real events such as documentary theatre can give
too much focus the event and less on the character’s who were affected. To me
this gives the audience a weaker connection with the show even though the events
are real. However, when a show is able to portray real events in way that
connects and audience with the character’s experience a very strong emotional response
can occur.
Interesting Quincy. I agree that most audience members expect to go to the theatre to be entertained, not necessarily seeking out a truth. But both productions you stated had historical relevance or was based on true events. What do you mean by an entertaining "... experience is easier to pull off if proximity to truthfulness is a bit distant"? Are you merely speaking about truthfulness in the acting? The subject matter? The overall vision of the director?
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